Biography
Ghena Dimitrova
(1941 – 2005)
„Opera is my temple“
Ghena Dimitrova was a world-renowned Bulgarian operatic soprano who had a brilliant international career spanning more than three decades over five continents.
Her voice was described as powerful and overwhelming, “made” of both gold and steel: “Her voice was made of an impossible alloy – steel and gold,” Nicola Ghiuselev said.
The operatic diva worked with world-famous conductors, directors and singers. She sang 32 roles in her repertoire.
Ghena Dimitrova was born on 6 May1941 in the village of Beglezh, near Pleven.
In this vibrant village in Northern Bulgaria, Ghena sang in the school choir. Her voice impressed the music teacher. He later advised her father to send her to study opera singing.
Her first encounter with opera was over the radio at home. Her father decided that her elder sister should become an engineer and he wanted Ghena to pursue a career as a doctor. Thank God her desire to be a singer turned out to be stronger, so she secretly applied for the State Conservatoire in Sofia (the National Academy of Music).
In 1959, she enrolled in the preparatory course of the Sofia State Conservatoire. She studied under Professor Hristo Brambarov, the great singer and teacher. At first, he defined her voice as a mezzo-soprano because of its beautiful and sonorous low register, but in the course of work, a magnificent high register was also revealed.



“I knew I had to learn the ABCs of singing, to learn how to be creative. I don’t have complexes like people who think they know something or can do something, and this thing should not be disrupted or changed, or taken away from them. Maybe that’s why everything was going smoothly for me. I was studying and listening, I was patient and very diligent. Over the first years, I was making slow progress, accumulating knowledge and learning from my mistakes. I’ve always been trying to find my mistakes and shortcomings. Everyone makes mistakes. I am no exception.”
In 1966, Ghena Dimitrova got an internship at the Sofia Opera. In 1967, after three of the Opera’s leading singers pulled out from the part, fate intervened and she made her debut as Abigaille in Nabucco, shortly after she had turned 26.
This is a very challenging role usually performed at the end rather than at the dawn of a singer’s career. But Ghena’s successful performance once again proved that opera singing was her true calling.



In 1970, Ghena Dimitrova won the Fourth International Competition for Young Opera Singers in Sofia and received a grant that allowed her to study further at La Scala’s school in Milan.
Her international career began in France in 1971 with her debut as Leonora in the opera La forza del destino. In 1973, she was invited to replace a leading singer at La Scala in Milan and made her debut there as Amelia in Un ballo in Maschera, with Plácido Domingo and Piero Cappuccilli. In the 1970s, she was a regular guest artist at Latin America’s opera houses.
“When I left La Scala’s school, I decided that I should go to provincial opera houses, far from the big stages, so that I could get stabilized in the dramatic repertoire – the one I wanted, loved and preferred, and then make a comeback when I was fully prepared. And so I did. In 1978, I came back with about 12 operas from the greatest and highly sought-after repertoire. I sang Tosca and Cavalleria rusticana in Vienna, La forza del destino, Aida, Tosca and Don Carlos in Munich and in other German opera houses. And this is how I gained recognition, even though I had to agree to half of the fee I got in Latin America. Because when you meet the impresarios, who are supposed to represent you at the top opera houses, they say: ‘Nobody knows you!’ So, you start your career all over again. And I started making comparisons with Mirella Freni and Montserrat Caballé, for example, even though I’m a dramatic soprano. I was making comparisons but I wasn’t imitating anyone, because I found out that I had a lot of inner strength and individuality. When you imitate someone, you make a fool out of yourself. You’d better show your true self.”
Ghena’s career took off in the early 1980s when Sandor Gorlinsky became her impresario and signed her to perform at the world’s top opera houses. Other great singers managed by Gorlinsky were Maria Callas, Montserrat Caballé, Giuseppe di Stefano, Franco Corelli, Tito Gobbi and Nicolai Ghiaurov.
In 1980, she was invited to perform at the world’s largest open-air opera stage – Arena di Verona, in La Gioconda, with Luciano Pavarotti and Piero Cappuccilli. She was also invited to sing in several performances of Aida. For two decades, Ghena was a regular guest artist at the Arena di Verona – in Macbeth, Turandot, Nabucco and La forza del destino. Her fans even started to call the Arena di Verona “Arena di Ghena”.



Her triumph at the Arena di Verona over the following years did not go unnoticed. World-famous conductor Herbert von Karajan auditioned her for the role of Lady Macbeth in Macbeth at the Salzburg Festival opening. Meeting the legendary conductor was one of the most rewarding experiences in her career, especially his famous words about the “pure and healthy voice that sings as it speaks, without vocalizing”. She was invited to perform as a guest artist in two consecutive editions of this prestigious festival – in 1984 and 1985.
In her singing career, Ghena performed three times at the opening of La Scala’s season – as Turandot in the opera Turandot in 1983, as Amneris in Aida in 1985, and as Abigaille in Nabucco in 1986. Other operas she sang at La Scala were: I Lombardi alla Prima Crociata, Tosca, Cavalleria rusticana, Macbeth, and Requiem.
All theatres that were considered to be the “pearls” of opera were “embedded” in her crown as the queen of the world stages. With her performances, Ghena Dimitrova conquered the opera houses in London, Moscow, Berlin, Prague, Budapest, Madrid, Buenos Aires and Mexico. For two decades, she was a dear guest on the stages of Latin America, Italy, France, Germany and Austria, and her repertoire included all soprano dream roles: Aida, Troubadour, Tosca, Andrea Chénier, Turandot, Ernani, Cavalleria rusticana, Manon Lescaut, La fanciulla del West, Macbeth, Othello.
Ghena Dimitrova’s American debut was in Dallas in 1981. Three years later, her first appearance in New York’s Carnegie Hall, in Nabucco, caused a sensation, which was covered by the major US media. In 1987, she enthralled the audience at the Metropolitan Opera – the most prestigious stage in the United States. Starting from 14 December 1987, she performed 10 seasons in a row as a guest singer, mainly as Turandot. Ghena Dimitrova had great success at the Metropolitan Opera in La Gioconda, Cavalleria rusticana, Aida, Tosca and La fanciulla del West.
Her last stage performances were as Amneris at the Gelsenkirchen Festival in Germany on 1 September 2001, and at the Stade de France in Paris on 14 September the same year.
Ghena left this world on 11 June 2005 in Milan.
“We are made of stardust and we turn back to dust when the soul is gone.”
“I couldn’t possibly live without my family, without my friends and without music, generally speaking. Everyone moves forward and I could live without my career, but never without music.”

Sources:
The books The Golden Age of Bulgarian Opera by Boyanka Arnaudova
and Ghena Dimitrova from A to Z by Dimitar Sotirov and Ghena Dimitrova Archives